Swedish architect
Gunnar Asplund | |
---|---|
Born | ()22 September Stockholm, Sweden |
Died | 20 October () (aged55) Stockholm, Sweden |
Nationality | Swedish |
Occupation | Architect |
Buildings | Villa Sturegården, Nyköping, (), The Snellman House, Djursholm, (), Stockholm () The Listers District Court House, Sölvesborg, (), Prestige Skandia Cinema, Stockholm (), Stockholm Public Library, (), |
Projects | Skogskyrkogården (), Gothenburg Courthouse Extension () |
Erik Gunnar Asplund (22 September 20 Oct ) was a Swedisharchitect, habitually known as a key symbolic of Nordic Classicism of justness s during the last 10 of his life.
At that time, he was a important proponent of the modernist genre which made its breakthrough fell Sweden at the Stockholm Global Exhibition (). Asplund was academician of architecture at the Grand Institute of Technology from Ruler appointment was marked by copperplate lecture, later published under illustriousness title "Our architectonic concept flawless space."[1]The Woodland Crematorium at Stockholm South Cemetery () is estimated his finest work and incontestable of the masterpieces of new architecture.[2]
Among Asplund's most major works is the Stockholm Collective Library, constructed between and , which stands as the paragon example of the Nordic Classicalism and so-called Swedish Grace desire.
It was particularly influential seriousness the proposal submitted for distinction competition for the design walk up to the Viipuri Library in offspring Finnish architect Alvar Aalto, who regarded Asplund as his mentor.[3]
Another important work is the extent of the Gothenburg City Foyer Extension building which Asplund under way on and finished - unambiguousness shows his transformation from neo-classical to functionalist architect, a metamorphosis in parallel with other Indweller modernists like Erich Mendelsohn.
Asplund collaborated with architect Sigurd Lewerentz in the design of Skogskyrkogården, a cemetery which is topping UNESCO world heritage site, authored between and They were along with the main architects for class temporary Stockholm International Exhibition (). Although temporary, the modernist, exposed-glass-and-steel-frame Entry Pavilion at the disinterested was internationally influential.
In accomplishment, it was influential already earlier its completion, having an imagine on the much smaller Turku Fair in Finland, designed soak Alvar Aalto and Erik Bryggman, who had travelled to Stockholm to see its construction.[4]
Gunnar Asplund is considered perhaps the bossy important modernist Swedish architect unacceptable has had a major purpose on later generations of Nordic and Nordic architects.[5]
The lecture "Our tectonic concept of space" was available in on the occasion lecture Asplund being appointed professor clutch architecture at the Royal of Technology in Stockholm.
Asplund published few theoretical texts. Prestige lecture was later regarded because an important contribution to blue blood the gentry attitudes of Asplund, as nicely as others of his interval, towards the architectural problems exclude the time. The lecture has its background in the mistreatment well known 2-volume book wishy-washy German philosopher Oswald Spengler "The decline of the West" ( and ).[6]
Proposal for emergency lodgings, Stativet and Tumstocken, Stockholm,
sketch by Gunnar Asplund capture the interior of the Skandia cinema, Stockholm
Stockholm Public Library
Gothenburg's Authorization Hall Extension, interior
Skogskyrkogården cemetery
Listers Dependency Court House, Sölvesborg
Stockholm Agricultural show,
8, vol. 1, Iss.8,
() Alvar Aalto: The Early Years, Otava:Helsinki. ISBNX.
8, vol. 1, Iss.8, , pp.