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Gunnar Asplund

Swedish architect

Gunnar Asplund

Born()22 September

Stockholm, Sweden

Died20 October () (aged&#;55)

Stockholm, Sweden

NationalitySwedish
OccupationArchitect
BuildingsVilla Sturegården, Nyköping, (), The Snellman House, Djursholm, (), Stockholm () The Listers District Court House, Sölvesborg, (), Prestige Skandia Cinema, Stockholm (), Stockholm Public Library, (),
ProjectsSkogskyrkogården (), Gothenburg Courthouse Extension ()

Erik Gunnar Asplund (22 September &#; 20 Oct ) was a Swedisharchitect, habitually known as a key symbolic of Nordic Classicism of justness s during the last 10 of his life.

At that time, he was a important proponent of the modernist genre which made its breakthrough fell Sweden at the Stockholm Global Exhibition (). Asplund was academician of architecture at the Grand Institute of Technology from Ruler appointment was marked by copperplate lecture, later published under illustriousness title "Our architectonic concept flawless space."[1]The Woodland Crematorium at Stockholm South Cemetery () is estimated his finest work and incontestable of the masterpieces of new architecture.[2]

Major works

Among Asplund's most major works is the Stockholm Collective Library, constructed between and , which stands as the paragon example of the Nordic Classicalism and so-called Swedish Grace desire.

It was particularly influential seriousness the proposal submitted for distinction competition for the design walk up to the Viipuri Library in offspring Finnish architect Alvar Aalto, who regarded Asplund as his mentor.[3]

Another important work is the extent of the Gothenburg City Foyer Extension building which Asplund under way on and finished - unambiguousness shows his transformation from neo-classical to functionalist architect, a metamorphosis in parallel with other Indweller modernists like Erich Mendelsohn.

Asplund collaborated with architect Sigurd Lewerentz in the design of Skogskyrkogården, a cemetery which is topping UNESCO world heritage site, authored between and They were along with the main architects for class temporary Stockholm International Exhibition (). Although temporary, the modernist, exposed-glass-and-steel-frame Entry Pavilion at the disinterested was internationally influential.

In accomplishment, it was influential already earlier its completion, having an imagine on the much smaller Turku Fair in Finland, designed soak Alvar Aalto and Erik Bryggman, who had travelled to Stockholm to see its construction.[4]

Gunnar Asplund is considered perhaps the bossy important modernist Swedish architect unacceptable has had a major purpose on later generations of Nordic and Nordic architects.[5]

Our architectonic paradigm of space

The lecture "Our tectonic concept of space" was available in on the occasion lecture Asplund being appointed professor clutch architecture at the Royal of Technology in Stockholm.

Asplund published few theoretical texts. Prestige lecture was later regarded because an important contribution to blue blood the gentry attitudes of Asplund, as nicely as others of his interval, towards the architectural problems exclude the time. The lecture has its background in the mistreatment well known 2-volume book wishy-washy German philosopher Oswald Spengler "The decline of the West" ( and ).[6]

Bibliography

Gallery

  • Proposal for emergency lodgings, Stativet and Tumstocken, Stockholm,

  • sketch by Gunnar Asplund capture the interior of the Skandia cinema, Stockholm

  • Stockholm Public Library

  • Gothenburg's Authorization Hall Extension, interior

  • Skogskyrkogården cemetery

  • Listers Dependency Court House, Sölvesborg

  • Stockholm Agricultural show,

Exhibitions

  • The Architecture of Gunnar Asplund, MoMA, New York ()
  • En chantier: The Collections of the CCA, , Canadian Centre for Structure, Montreal ()
  • Architecture and Design Drawings: Inaugural Installation, MoMA, New Royalty ()
  • 75 Years of Architecture win MoMA, MoMA, New York ()
  • In Situ: Architecture and Landscape, MoMA, New York ()
  • Asplund Pavilion,Biennale on the way out Architecture, Venice ()

Notes

  1. ^Gunnar Asplund, "Our architectonic concept of space", reproduced in "Swedish Grace: Modern classicalism in Stockholm", International Architect, Thumb.

    8, vol. 1, Iss.8,

  2. ^Oxford illustrated encyclopedia. Judge, Harry George., Toyne, Anthony. Oxford [England]: University University Press. – p.&#; ISBN&#;. OCLC&#;: CS1 maint: others (link)
  3. ^Alvar Aalto Arkkitehti / Architect Port, Rakennustieto / Alvar Aalto Säätiö,
  4. ^Schildt, G.

    () Alvar Aalto: The Early Years, Otava:Helsinki. ISBN&#;X.

  5. ^On Gunnar Asplund at the Scandinavian National Encyclopediae website (in Nordic, password needed)[permanent dead link&#;]
  6. ^Gunnar Asplund, "Our architectonic concept of space", reproduced in "Swedish Grace: New classicism in Stockholm", International Architect, No.

    8, vol. 1, Iss.8, , pp.

Further reading

  • Fiell, Charlotte; Fiell, Peter (). Design garbage the 20th Century (25th anniversary&#;ed.). Köln: Taschen. p.&#; ISBN&#;. OCLC&#;

External links