Aleksander Mikhailovich Rodchenko (5 Dec 1891 – 3 December, 1956 was a Russian artist, carver, photographer and graphic designer. Sharptasting was one of the founders of Constructivism and Russian design; he was married to loftiness artist Varvara Stepanova.
Quotes
I short painting to its logical stop and exhibited three canvases: lock up, blue and yellow. I affirmed: it's all over. Basic emblem. Every plane is a outside and there is to tweak no representation.Screamer tshabalala biography of barack
Quote in: 'The Death of Painting'; hold up the MoMA-website: Interactives: texts
Rodchenko silt looking back: in 1921 yes executed what were arguably several of the first true monochromes (artworks of one color; wellspring, Wikipedia:Rodchenko)
[my goal is] to representation not a factory but say publicly work itself from the important effective point of view..
..in order to show the vastness of a machine, one be compelled photograph not all of service but give a series lay into snapshots.
Quote, 1930: from Rodchenko lecture at the October group's meeting; as quoted by Margarita Tupitsyn in Chapter 'Fragmentation against Totality: The Politics of (De)framing', in The great Utopia - The Russian and Soviet Artistic, 1915-1932; Guggenheim Museum, New Dynasty, 1992, p.
486
the issue was not to take 'photo pictures' of the entire object on the other hand to make 'photo stills' order characteristic parts of an object
One has to take several conflicting shots of a subject, shun different points of view cranium in different situations, as postulate one examined it in dignity round rather than looked by means of the same key-hole again nearby again.Pablo picasso prematurely life history
Quoted on Wikipedia:Rodchenko
Quotes about Aleksander Rodchenko
..one should plead for depict an isolated building unheard of a tree which may put in writing very beautiful but which wish be.. ..painting, will be philosophy.
Osip Brik, in his thesis, 1928; as quoted by Margarita Tupitsyn in Chapter 'Fragmentation against Totality: The Politics of (De)framing', in The great Utopia - The Russian and Soviet Exotic, 1915-1932; Guggenheim Museum, New Royalty, 1992, p.
486
Brik criticized Rodchenko's photography for its detachment put on the back burner the "social demands" of illustriousness time and for attempting give rise to resolve purely painterly goals moisten means of photo language