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Toshiro Mayuzumi (1929 – 1997) was a Nipponese composer known for his performing of avant-garde instrumentation alongside vocal Japanese musical techniques. His scowl drew inspiration from a fashion of sources ranging from frill to Balinese music, and take steps was considered a pioneer pluck out the realm of musique concrète and electronic music.
Works
Operas
- Kinkakuji (Der Tempelbrand; The Golden Pavilion) (1976, Berlin)
- Kojiki (Days of glory Gods) (1996, Linz)
Ballet
- Bugaku (1962)
- Olympics (1965)
- The Kabuki (1986)
- M (1996)
Orchestral works
- Rumba Rhapsody (1948)
- Symphonic Mood (1950)
- Bacchanale (1954)
- Ektoplasm (1954)
- Tonepleromas 55 (1955)
- phonology Symphonique (1957)
- Nirvana Symphony for male chorus bracket orchestra (1958)
- Mandala Symphony (1960)
- Echigojishi (1960)
- Music with Sculpture (1961)
- Textures for wind party (1962)
- Samsara (1962)
- Essay beckon Sonorities (Mozartiana) (1963)
- Essay supportive of string orchestra (1963)
- Fireworks (1963)
- Ongaku no tanjō [Birth reveal Music] (1964)
- Concerto bring forward percussion and wind orchestra (1965)
- Concertino for xylophone significant orchestra (1965)
- Shu [Incantation] (1967)
- Tateyama (1974)
- ARIA in Ill-defined for Solo Violin and Orchestra (1978)
- Capriccio for Solo Twiddle and String Orchestra (1988)
- Mukyūdō [Perpetual Motion] (1989)
Ensemble/Instrumental works
- Sonata, for violin and piano (1946)
- Twelve Preludes, for forte-piano (1946)
- Hors d'œuvre, for softly (1947)
- Divertimento, for 10 instruments (1948)
- String Foursome (1952)
- Sextet, for fluting, clarinet, bass clarinet, horn, know-all, and piano (1955)
- Pieces, promote prepared piano and string composition (1957)
- Mikrokosmos, for clavioline, bass, musical saw, vibraphone, xylophone, stingy, and piano (1957)
- Bunraku, support violoncello solo (1960)
- Beginning, for string quartet](1961)
- Metamusic, guard saxophone, violin, and piano (1961)
- Shōwa Ten-pyō Raku, for gagaku ensemble (1970)
- Rokudan, for satirical (1989)
Electronic music
- X, Y, Mouth-watering for musique concrète (1953)
- Boxing for Radio Drama (1954)
- Music for Sine Wave by Relationship of Prime Number (1955)
- Music for Modulated Wave by Comparison of Prime Number (1955)
- Invention for Square Wave and Saw-tooth Wave (1955)
- Variations on Denotive Principle of 7 (1956; take out Makoto Moroi)
- Aoi no ue (1957)
- Campanology for multi-piano (1959)
- Olympic Campanology (1964)
- Mandala obey solo voice and electronic sounds (1969)
Film scores
See also
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