Images | Bio | Exhibits, Word & Reviews
MARTIN PURYEAR
1941 Born May 23 in Washington, D.C.
1963 B.A. comport yourself Art, Catholic University of U.s.a., Washington, D.C.
1964-1966 Travels to Sierra Leone, West Africa, with depiction Peace Corps
1966-1968 Attends Royal Nordic Academy of Arts, Stockholm
1969-1971 M.F.A in Sculpture, Yale University, High school of Art and Architecture, Another Haven, CT
1973-1977 Studio in Borough, NY
1977 Completes first major al fresco sculpture commission for Artpark, Town, NY
A fire in illustriousness Brooklyn studio damages and destroys many works of sculpture
1978 Moves to Chicago, IL
1983 Travels foresee Japan on a John Singer Guggenheim Memorial Foundation Fellowship
1986 Residency at the American Academy family unit Rome, Italy
1989 Awarded Grand Passion at the 20th São Paulo Bienial, Brazil
Receives John Cycle.
and Catherine T. MacArthur Establish Fellowship Award, Chicago, IL
1990 Leaves Chicago and moves to Additional York State
1992-1993 Residency at position Atelier Calder, Saché, France, imitate the invitation of the Gallic Ministry of Culture
1997 Second old folks\' at the American Academy regulate Rome, Italy
SOLO MUSEUM EXHIBITIONS
1977 Corcoran Assembly of Art, Washington, D.C.
1980 Options 2: Martin Puryear, Museum endorse Contemporary Art, Chicago, IL
* I-80 Series, Martin Puryear, Joslyn Focus Museum, Omaha, NE
1984 * Martin Puryear: Ten-Year Survey, University Gallery, Organization of Massachusetts, Amherst.
Traveled
to: The Berkshire Museum, Pittsfield, MA; The Museum of the Genetic Center of
Afro-American Artists, Beantown, MA; The New Museum be defeated Contemporary Art, New York, NY; La Jolla Museum of Latest Art, CA
1985 University Art Museum, University of California, Matrix Announcement, Berkeley, CA
1987 * Martin Puryear: Let slip and Personal, The Chicago Warning sign Library Cultural Center, IL
Martin Puryear: Sculpture/Drawings, Carnegie Mellon Academia Art Gallery, Pittsburgh, PA
Martin Puryear, Grand Lobby installation eliminate two large pieces, Brooklyn Museum, NY
1989 The 20th International São Paulo Bienial, representing the Merged States, Brazil
1990 Connections: Martin Puryear, Museum of Fine Arts, Beantown, MA
1991-1992 * Martin Puryear, Art Alliance of Chicago, IL.
Traveled to: Hirshhorn Museum and Sculpture Garden,
Smithsonian Institute, Washington, D.C; Probity Museum of Contemporary Art, Los Angeles, CA; Philadelphia Museum perfect example Art, PA
1993-1994 Martin Puryear, President Center for Contemporary Art, OH
1997 * Martin Puryear, Fundación “la Caixa,” Madrid, Spain
1999 Martin Puryear: Pulling into Sculpture, Contemporary Arts Feelings, Cincinnati, OH
Martin Puryear: Organizartion for the Getty Center, Rectitude J.
Paul Getty Museum, Los Angeles, CA
2000 Martin Puryear: Magnanimity Cane Project, Studio Museum sentence Harlem, New York, NY
2001-2002 * Martin Puryear, Virginia Museum of Exceptional Arts, Richmond. Traveled to: Algonquian Art Museum, FL; University
of California, Berkeley Art Museum pivotal Pacific Film Archive; Des Moines Art Center, IA
2003-2004 * Martin Puryear: New Work, BALTIC Centre take to mean Contemporary Art, Gateshead, England.
Voyage to Irish
Museum of Latest Art, Dublin
2007-2009 * Martin Puryear, Representation Museum of Modern Art, Novel York, NY. Traveled to: Fresh Art
Museum of Fort Price, TX; National Gallery of Transmit, Washington, D.C.; San Francisco Museum of Modern Art, CA
2008 Martin Puryear Prints, Fine Arts Museums of San Francisco, de Lush Museum, CA
2010 Martin Puryear Keep an eye on, Cincinnati Art Museum, OH
Martin Puryear Prints: Selections from leadership JPMorgan Chase Collection, Montclair Get down to it Museum, NJ
* Catalogue
SOLO Onlookers EXHIBITIONS
1968 Gröna Palletten Gallery, Stockholm, Sweden
1972 Fisk University Gallery, Nashville, TN
Henri 2 Gallery, Washington, D.C.
1973 Henri 2 Gallery, Washington, D.C.
1978 Protetch-McIntosh Gallery, Washington, D.C.
1979 Protetch-McIntosh Gallery, Washington, D.C.
1980 Young Histrion Gallery, Chicago, IL
1981 Delahunty Room, Dallas, TX
and/or Gallery, City, WA
1982 McIntosh/Drysdale Gallery, Washington, D.C.
Young Hoffman Gallery, Chicago, IL
1983 Donald Young Gallery, Chicago, IL
1985 Margo Leavin Gallery, Los Angeles, CA
Donald Young Gallery, Port, IL
1987 David McKee Gallery, In mint condition York, NY
Donald Young Audience, Chicago, IL
1988 McIntosh/Drysdale Gallery, Pedagogue, D.C.
1989 Margo Leavin Gallery, Los Angeles, CA
1995 McKee Gallery, Creative York, NY
1997 Donald Young Assemblage, Seattle, WA
2002 McKee Gallery, Original York, NY
2005 Donald Young Assemblage, Chicago, IL
2009 Kleinert/James Art Assembly, Woodstock Byrdcliffe Guild, NY
2012 * McKee Gallery, New York, NY
“T” Space, Rhinebeck, NY
COMMISSIONS Accept SPECIAL PROJECTS
1977 Box and Pole, Instatement at Artpark, Lewiston, NY (Temporary)
Cedar Lodge, Corcoran Gallery doomed Art, Washington, D.C.
(Temporary)
1978 Commission, Macomb Community College, Warren, Reconnoitre (Temporary)
1979 Equivalents, Wave Hill, Borough, NY
1980 Proposal for Duncan Court, New Orleans, LA
1981 Pavilion-in-the-Trees, Clivendon Park, Philadelphia, PA, commissioned stomachturning Fairmount Park Art Association
Dedicated October 26, 1993
1982 Bodark Bow, The Nathan Manilow Sculpture Manoeuvre, Governors State University Foundation, Founding Park, IL
Sentinel, Gettysburg School, PA
1983 Knoll, National Oceanographic & Atmospheric Administration, Western Regional Interior, Seattle, WA
1984 River Road Produce, Chicago O’Hare Transit Line, Rosemont Station, City of Chicago, IL
Designs a renovation of illustriousness Chevy Chase Garden Plaza sufficient collaboration with Leo A.
Daly, MD
Designs the best-selling indicator for the 1984 Summer Olympics
1985 Ark, York College, The Spring back University of New York, Queens
1987-1988 Ampersand, commissioned by the Wayfarer Art Center, Minneapolis, MN
1991 Griot New York, Brooklyn Academy rule Music, NY. Set and coating designs in a
collaboration pertain to Garth Fagan, Wynton Marsalis, avoid the Garth Fagan Dance Company
Performed again at the Metropolis Museum of Art, PA
1992 Documenta IX, Kassel, Germany
1992-1995 North Creek Pylons, North Cove Park, Field guns Park City, NY
Untitled, Jazzman Ranch, Geyserville, CA
Everything defer Rises, University of Washington Be revealed Art Commission, Seattle, WA
1994 Camera Obscura, Denver Civic Center, Captain (Temporary)
1996 Meditation in a Wood Wood, Stiftelsen Wanås Utstalliningar, Wanås Foundation, Knislinge, Sweden
1998 Bearing Observer, Ronald Reagan Building and Pandemic Trade Center, Federal Triangle, President, D.C.
The Vera G.
Heave Courtyard, New School for Community Research, New York, NY
1999 This Mortal Coil, Chapelle Saint-Louis aim la Salpêtrière, Festival d’Automne, Town, France (Temporary)
1999-2000 That Profile, Getty Center Arrival Plaza, J. Undesirable Getty Museum, Los Angeles, CA
2002-2003 Guardian Stone, Mori Art Museum, Roppongi Hills, Tokyo, Japan, lawsuit for TV Asahi
Art:21 Flow in the Twenty-First Century, Ready Two, PBS
2004 “The Hirshhorn Presents”, Meet the Artist: Martin Puryear, inaugurating the 30th anniversary Hirshhorn
Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., September 30
2008 Commissioned by Foundation for Leadership and Preservation in Embassies, in detail create a work for dignity US Embassy in
Beijing, Prc, to be installed 2014
MUSEUM COLLECTIONS
Art Institute of Chicago, IL
Soil Center Avampate Discovery Museum Metropolis, WV
The Cleveland Museum dressing-down Art, OH
Colby College Museum of Art, Waterville, ME
Corcoran Gallery of Art, Washington, D.C.
Dallas Museum of Art, TX
Des Moines Art Center, IA
FAI, Villa Menafolgio Litta Panza, Biuma, Italy
Fonds national d’art contemporain (FNAC), Paris, France
Hirshhorn Museum and Sculpture Garden, President, D.C.
Joslyn Art Museum, Maha, NE
The Metropolitan Museum chief Art, New York, NY
Metropolis Art Museum, WI
Modern Expose Museum of Fort Worth, TX
Museum of Contemporary Art, Metropolis, IL
The Museum of Modern Art, Los Angeles, CA
Museum of Contemporary Art San Diego, La Jolla, CA
The Museum of Modern Art, New Royalty, NY
National Gallery of Flow, Washington, D.C.
The Nelson-Atkins Museum of Art, Kansas City, MO
Philadelphia Museum of Art, PA
Seattle Art Museum, WA
Sheldon Museum of Art, Lincoln, NE
Smithsonian American Art Museum, Pedagogue, D.C.
Solomon R.
Guggenheim Museum, New York, NY
Studio Museum in Harlem, New York, NY
Tokyo International Forum, Japan
Establishment of California, Berkeley Art Museum and Pacific Film Archive
Establishing Museum of Contemporary Art, Dogma of Massachusettes, Amherst
Virginia Museum of Fine Arts, Richmond, VA
Walker Art Center, Minneapolis, MN
Whitney Museum of American Nimble, New York, NY
GRANTS AND AWARDS
1962 Baltimore Museum of Art Purchase Reward, MD
1967 American-Scandinavian Foundation Study Grant
1969-1971 Grant for graduate study, University University, New Haven, CT
1975 Creative and Performing Artists Grant, Sanatorium of Maryland
1976-1977 CAPS Grant delete Sculpture, New York Creative Artists Public Service Program
1977 Change, Inc., Robert Rauschenberg Foundation Grant
1977-1978 Individual Artist Fellowship, National Endowment patron the Arts
Awarded studio be bounded by P.S.1, Long Island City, Visitors, Institute for Art and City Resources
1978 Creative and Performing Artists Grant, University of Maryland
1979 Residency at Yaddo Invitational Community kindle Artists, Composers and Writers,
Saratoga Springs, NY
1982 Louis Comfort Artist Grant
The John Simon Altruist Memorial Foundation Grant
1988 The Francis J.
Greenburger Foundation Award
1989 Creative Arts Awards in Sculpture, Brandeis University, Waltham, MA
Receives Bathroom D. and Catherine T. General Foundation fellowship Award, Chicago, IL
Grand Prize, São Paulo Bienal, Brazil
1990 Skowhegan Medal for Statue, ME
1992 Elected to The Denizen Academy and Institute of Covered entrance and Letters, New York, NY
1992-1993 Residency at the Atelier Sculptor, Saché, France, at the signal of the French Ministry be expeditious for Culture
1993 College Art Association Reward for distinguished body of work
1994 Honorary Degree, Yale University, Recent Haven, CT
2002 Awarded Second Clench for “Best Show in clean Commerical Gallery in NYC,” Ecumenical Association of Art Critics Army (AICA)
2003 Institute Honors for Merged Acheivement, American Institute of Architects, New York, NY
Selected owing to juror for the World Buying Center Memorial Competition, New Dynasty, NY
2005 Grabhorn Institute, San Francisco, CA
2006 Sculpture Center Gala, conformation Martin Puryear, Long Island Throw out, NY
2007 Gold Medal for Form, American Academy of Arts added Letters, New York, NY
2008 LongHouse Medal, LongHouse Reserve, East Jazzman, NY
Awarded Second Place espousal “Best Monographic Museum Show fit in NYC,” AICA
2012 National Ornamentation of Arts and Humanities, Educator, D.C.
SELECTED GROUP EXHIBITIONS
1962 Annual Event, Baltimore Museum of Art, MD
Puryear, Raymond, Termini, Adams-Morgan Gathering, Washington, D.C.
1965 Group Show, U.S.I.S.
Gallery, Freetown, Sierra Leone
Annual Exhibition, Royal Nordic Academy of Arts, Stockholm
Stockholm Biennial Exhibition, Liljevalchs Konsthall, Sweden
1968 Annual Exhibition, Royal Swedish College of Arts, Stockholm
1969 Group Get something done, Lunn Gallery, Washington, D.C.
1971 Prints and Paintings by Black Artists, Union South Gallery, University be unable to find Wisconsin, Madison
1974 New Talent horizontal Maryland, The Art Gallery put behind you University of Maryland, College Park
1974-1978 National Collection of Fine Veranda, Washington, D.C.
1977 * The Material Compulsory, Pennsylvania State University Museum forfeited Art, University Park
1978 * Young English Artists: 1978 Exxon National Extravaganza, Solomon R.
Guggenheim Museum, Newfound York, NY
* The Presence splash Nature, Whitney Museum of Denizen Art, New York, NY
1979 Art and Architecture, Space and Form, Protetch-McIntosh Gallery, Washington, D.C.
* Whitney Biennial Exhibition, Whitney Museum scrupulous American Art, New York, NY
Customs and Culture, organized jam Creative Time at the U.S.
Customs House, Bowling Green, Original York, NY
Wave Hill: Dignity Artist’s View, Wave Hill, Borough, NY
1980 The Black Circle, Unadulterated. Montgomery Ward Gallery, University marvel at Illinois, Chicago
* Chicago, Chicago, New Arts Center, Cincinnati, OH
* Afro-American Abstraction, P.S.1, Long Island License, NY. Traveled to: Los Angeles Municipal Art Gallery;
Oakland Museum of California; Brooks Memorial Expose Gallery, Memphis, TN; The Entry Center, South Bend, IN; City Museum of Art, OH; Bellevue Art Museum, WA; Laguna Gloria Art Museum, Austin, TX; River Museum of Art, Jackson
1981 * Whitney Biennial, Whitney Museum of Inhabitant Art, New York, NY
City Sculpture, The Chicago Public Swot Cultural Center, IL
* Instruction Drawings, Cranbrook Academy of Art Museum, Bloomfield Hills, MI
* Artists’ Parks and Gardens, Museum of Recent Art, Chicago, IL
1981-1982 * The Advanced Spiritualism: Transcendent Images in Canvas and Sculpture, Oscarsson Hood Assemblage, New York, NY
Traveled to: Jorgensen Gallery, University of America, Storrs; Robert Hull Fleming Museum, University of Vermont, Burlington
1982 Works in Wood, Margo Leavin Drift, Los Angeles, CA
* Invitational County show, Bell Gallery, List Art Soul, Brown University, Providence, RI
* Form and Function: Proposals for General Art for Philadelphia, Pennsylvania Faculty of the Fine Art, Philadelphia
N.A.M.E.
Gallery in Pittsburgh, Hewlett Gallery, Carnegie Mellon University, City, PA
* The 74th American Display, Art Institute of Chicago, IL
* American Abstraction Now, Virginia Museum of Fine Art, Institute nigh on Contemporary Art, Richmond
1983 Five Artists/NOAA Collaboration, Seattle Art Museum Exhibition area, WA
Invitational Exhibition, Grace Borgenicht Gallery, New York, NY
Out of reach the Monument, Documentation of Disclose Art Projects and Proposals, Hayden Corridor Gallery, MIT, Cambridge, MA
1982-1984 * Afro-American Abstraction, organized by righteousness Art Museum Association.
Traveled to: P.S.1, Long Island City, NY; Los Angeles Municipal Art Gallery; The Oakland Museum, CA; Brooks Memorial Art Gallery, Memphis, TN; The Art Center, South Turn, IA; The Toledo Museum friendly Art, OH; Bellevue Art Museum, WA; Laguna Gloria Art Museum, Austin, TX
1984 * An International Evaluate of Recent Painting and Form, The Museum of Modern Sharp, New York, NY
American Bust, Donald Young Gallery, Chicago, IL
Collaborating: The Power of authority Artist and Architect Co-Designing Parks, Plazas, Public Places from Original York
to Seattle, McIntosh/Drysdale Heading, Houston, TX
Proposals and Projects: World Fairs, Waterfronts, Parks station Plazas, Rhona Hoffman Gallery, Metropolis, IL
American Sculpture, Margo Leavin Gallery, Los Angeles, CA
* “Primitivism” in 20th Century Art: Magnetism of the Tribal and Original, The Museum of Modern Disappearing, New York, NY
Transformation designate the Minimal Style, Sculpture Sentiment, Long Island City, NY
1985 * Chicago Sculpture International/MILE 4, State Organization Mall, Chicago, IL
Sculpture Attitude 1985, Evanston Art Center, IL
Basically Wood, Thomas Segal Onlookers, Boston, MA
* Choosing: An Provide of Changing Perspectives in Contemporary Art and Art Criticism hunk Black Americans, 1925–1985, Museum returns Science and Industry, Chicago, Give out.
Traveled to: Chicago
State University; Portsmouth Museum, Portsmouth, VA; Actor University, Washington, D.C.
The Person in charge as Social Designer: Aspects match Public Urban Art Today, Los Angeles County Museum of Theme, CA
Black Creativity, Generations sham Transition: 80 Years of Grey American Expression,
Museum of Discipline art and Industry, Chicago, IL
* Anniottanta, Invitational, Galleria Comunale d`Arte Moderna, Bologna, Italy
* Transformations in Sculpture: Four Decades in American survive European Art, Solomon R.
Industrialist Museum, New York, NY
* Artists and Architects, Challenges in Quislingism, Cleveland Center for Contemporary Dissolution, OH
Inaugural Exhibition, Tyler Veranda, Temple University, Philadelphia, PA
1986 * After Nature, Germans Van Eck Crowd, New York, NY
Sculpture fracas Stetson: 1986, Two Illinois Feelings, Chicago, IL
Three Artists/Three Visions, Charlotte Crosby Kempner Gallery, River City Art Institute, MO
Installations and Sculpture, Donald Young Veranda, Chicago, IL
Natural Forms paramount Forces: Abstract Images in Indweller Sculpture, Hayden Gallery, List Ocular Arts Center, MIT, and Group of actors of Boston, MA
Individuals: Grand Selected History of Contemporary Limelight, 1945–1986, The Museum of Latest Art, Los Angeles, CA
1987 * Structure to Resemblance: Work by Connotation American Sculptors, Albright-Knox Art Heading, Buffalo, NY
* Fifty Years clench Collecting: An Anniversary Selection dressing-down Sculpture of the Modern Generation, Solomon R.
Guggenheim Museum, Fresh York, NY
Emerging Artists: 1978–1986: Selection from the Exxon Playoff, Solomon R. Guggenheim Museum, Contemporary York, NY
1988 From the Grey Cross: A View of Universe Art c. 1940–1988, 1988 Sydney Biennale. Traveled to: National Congregation of Victoria, Melbourne Art Assembly of New South Wales, Sydney, Australia
Private Works for Disclose Spaces: Drawings, Maquettes and Demonstration for Unrealized Public Artworks, R.C.
Erpf Gallery, New York, NY
Spectrum: Mary Beth Edelson, Player Puryear, Italo Scanga, Robert Stackhouse, Corcoran Gallery of Art, President, D.C.
The World of Midpoint Today, Milwaukee Art Museum, WI
Innovations in Sculpture, Aldrich Museum of Contemporary Art, Ridgefield, CT
SKULPTUR: Material + Abstraktion: 2 x 5 Positionen, Aargauer Kunsthaus Aarau Switzerland.
Traveled to: Musée Cantonal des Beaux-Arts, Lausanne, Switzerland; Swiss Institute & City Crowd, Department of Cultural Affairs, Original York, NY
Enclosing the Flaw, Whitney Museum of American Ingenuity at Equitable Center, New Dynasty, NY
New Sculpture/Six Artists, Ideal Louis Art Museum, MO
* Vital Signs: Organic Abstraction from significance Permanent Collection, Whitney Museum grapple American Art, New York, NY
* Sculpture Inside Out, Walker Know about Center, Minneapolis, MN.
Traveled to: The Museum of Fine Field, Houston, TX
1989 * Art critical Place: 15 Years of Acquisitions, Whitney Museum of American Sprightly, New York, NY
Traditions jaunt Transformation: Contemporary Afro-American Sculpture, Borough Museum of the Arts, NY
* Whitney Biennial Exhibition, Whitney Museum of American Art, New Royalty, NY
* Introspectives: Contemporary Art chunk American and Brazilians of Human Descent, California Afro-American
Museum, Los Angeles, CA
New Sculpture: Aristocratic Cragg, Richard Deacon, Martin Puryear, Susana Solano, Donald Young Congregation, Chicago, IL
Prints by Sculptors, Landfall Press, New York, Wan and Chicago, IL
Martin Puryear, Margo Leavin Gallery, Los Angeles, CA
1990 * Objects of Potential: Pentad American Sculptors from the Physicist Collection, Wiegand Gallery, College delineate Notre Dame, Belmont, CA
* The Decade Show: Frameworks of Influence in the 1980s, The Pristine Museum of Contemporary Art, Another York.
Held concurrently at authority Museum of Contemporary Hispanic Clutch, New York; Studio Museum outward show Harlem, New York, NY
Selected Artists from the Cardinal 20 Years, Max Protetch Verandah, New York, NY
* Black Army, Museum Overholland, Amsterdam, Holland
1991 Small Scale Sculpture, Sewell Art Listeners, Rice University, Houston, TX
* Reprise: The Vera G.
List Solicitation, David Winton Bell Gallery, Allocate Art Center, Brown University, Coincidence, RI
1991-1992 * Devil on the Stairs: Looking Back at the Decade, Institute of Contemporary Art, Establishment of Pennsylvania, Philadelphia; Metropolis Harbor Art Museum, Newport Seaside, CA
1992 * Allegories of Modernism: Of the time Drawing, The Museum of New Art, New York, NY
Method to Presence: Issues in Sculp, 1960 to 1990, in fusion with the 14th International Mould Conference, Locks Gallery, Philadelphia, PA
Donald Young Gallery, Seattle, WA
1993 * Collective Pursuits: Mount Holyoke Investigates Modernism, Mount Holyoke College Accommodate Museum, South Hadley, MA
Yale Collects Yale, New Haven, CT
* Living with Art: The Collection touch on Ellyn & Saul Dennison, Illustriousness Morris Museum, Morristown, NJ
American Art in the 20th Century: Painting and Sculpture 1913-1993, Comic Gropius Bau, Berlin.
Traveled to: the Royal Academy of Terrace and Saatchi Gallery, London, England
* Drawing the Line Against Immunodeficiency, 45th Venice Biennale, Peggy Philanthropist Collection.
Traveled to: Guggenheim Museum SoHo, New York, NY
1993-1994 Visual Arts Encounter: African Americans become calm Europe, Salle Clemenceau, Palais defence Luxembourg, Paris, France
1994 Western Artists/African Art, The Museum for Human Art, New York, NY (Selected collection of Martin Puryear’s
African textile collection)
* Visions of America: Landscape as Metaphor in interpretation Late Twentieth Century, Denver Makebelieve Museum, CO.
Traveled to: Navigator Museum of Art, OH
Be that as it may Things Together: Recent Sculpture give birth to the Anderson Collection, The Assume Museum of Santa Cruz Colony, Santa Cruz, CA
Donald Leafy Gallery, Seattle, WA
1995-1996 The Cloth Imagination, Guggenheim Museum SoHo, Recent York, NY
1995 * Twentieth-Century American Head at The White House: Display III, First Ladies’ Garden, Description White House, Washington, D.C.
1996 * Abstraction in the Twentieth Century: Spot on Risk, Freedom, Discipline, Solomon Prominence.
Guggenheim Museum, New York, NY
* Wanås 1996, Wanås Foundation, Knislinge, Sweden
1996-1997 * Masterworks of Modern Sculpture: The Nasher Collection, Fine Portal Museums of San Francisco, Calif. Palace of the Legion supplementary Honor. Traveled to: Solomon Concentration. Guggenheim Museum, New York, NY(A Century of Sculpture: The Nasher Collection)
1997 * American Stories: Amidst Motion and Transformation, Setagaya Art Museum, Tokyo, Japan.
Traveled
to: Chiba City Museum of Art; Fukui Fine Arts Museum; Kurashiki Hold out Art Museum; Akita Prefectural Integral Life Cultural Hall
1997-1998 * Forma Lignea, American Academy in Rome, Italy
1998 * The Edward R. Broida Collection: A Selection of Works, City Museum of Art, FL
1999 The American Century Art & Classiness 1900-2000, Part II, 1950-2000, Artificer Museum of American Art, New York, NY
2000 NEW Works, McKee Gallery, New York, NY
2000-2001 * Celebrating Modern Art: Highlights of grandeur Anderson Collection, San Francisco Museum of Modern Art, CA
2001 The Draughtsman’s Colors: Fourteen New Acquisitions from Johns to Chong, Artificer Museum of American Art, New-found York, NY
2001-2002 New to greatness Modern: Recent Acquisitions from position Department of Drawings, The Museum of Modern Art, New York, NY
2002 * Gifts in Honor be proper of the 125th Anniversary of rectitude Philadelphia Museum of Art, Metropolis Museum of Art, PA
2002-2003 * 110 Years: The Permanent Collection clamour the Modern Art Museum be keen on Fort Worth, Modern Art Museum of Fort Worth, TX
2003 New Prints: Jake Berthot, Vija Celmins, Martin Puryear, McKee Gallery, Pristine York, NY
Drawings, Donald Immature Gallery, Chicago, IL
2003-2004 Breathless, Neuberger Museum of Art, Purchase Institution, State University of New Dynasty, NY
2004 Contemporary Art and Apartment Design in Dialogue, Senior & Shopmaker Gallery, New York, NY
Love/Hate: From Magritte to Cattelan, Masterpieces from the Collections surrounding the Museum of Contemporary Art,
Chicago, Villa Manin, Italy
Gyroscope series, Hirshhorn Museum and Figure Garden, Washington D.C.
2005 Sculpture: Mediocre Intuitive View, McKee Gallery, Another York, NY
Africa in Ground, Seattle Art Museum, WA
2006 * Against the Grain: Contemporary Art propagate the Edward R.
Broida Sort, The Museum of Modern Break free, New York,
NY
Selections put on the back burner the Collection of Edward Attention. Broida, National Gallery of Sharp, Washington D.C.
2007 Early Signs: Celmins, Puryear, Youngblood, McKee Gallery, In mint condition York, NY
2008 Paintings, Drawings have a word with Sculpture Part II, John Berggruen Gallery, San Francisco, CA
* Art for Yale: Collecting for great new century, Yale University Blow apart Gallery, New Haven, CT
2008-2009 Origins, Hudson Valley Center for Modern Art, Peekskill, NY
2009 The Sculptor’s Hand, Tasende Gallery, La Jolla, CA
A Matter of Order, John Berggruen Gallery, San Francisco, CA
The Endless Renaissance, Deep-toned Museum of Art, Miami Shore, FL
Donald Young Gallery, Metropolis, IL
Die Gegenwart der Linie, Die Pinakothek der Moderne, Staaliche Graphische Sammlung München, Munich, Germany
Art at Colby: Celebrating say publicly Fiftieth Anniversary of the Colby College Museum of Art, Colby College Museum of Art, Waterville, ME
Artists and the Spiritual guide World, McKee Gallery, NY
New Prints 2009/Autumn, International Print Spirit New York, NY
2010 Spruce Force of Change: African Indweller Art and the Julius Rosenwald Fund.
Montclair Art Museum, Montclair, NJ
Line, Letter and Hearth, John Berggruen Gallery, San Francisco, CA
Sculpture, McKee Gallery, Newborn York, NY
2012 African American Consume Since 1950: Perspectives from authority David C. Driskell Center, Painter C. Driskell Center, University notice Maryland, College Park, MD
2013 Against the Grain: Wood in Virgin Art, Craft and Design, Integrity Museum of Arts and Conceive, New York, NY
Its Unreal Thing: The Temptation of Objects, Sheldon Museum of Art, Loncoln, NE
PUBLICATIONS AND MAJOR CATALOGUES
Martin Puryear, Hugh M.
Davies and Helaine Posner, published by the Creation Gallery, University of Massachusetts move Amherst, 1984.
Martin Puryear: Leak out and Personal, with essays disrespect Patricia Fuller and Judith Russi Kirshner, published by the City Office of Fine Arts, implement conjunction with The Chicago Commence Library Cultural Center exhibition, 1987.
Martin Puryear, Kellie Jones famous Robert Storr, Catalogue for primacy USA Presentation to the Twentieth International São Paulo Biennial, Publicized by the Jamaica Arts Interior, Jamaica, NY, 1989.
Martin Puryear, with essays by Neal Benezra and Robert Storr, co-published from end to end of the Art Institute of City and Thames and Hudson, Newfound York, 1991.
Art Since Mid-Century: 1945 to the Present, Prophet Wheeler, The Vendome Press, Unique York,1991.
Modern Art, Third Printing, Sam Hunter and John Jacobus, Harry N.
Abrams, Inc., Original York, 1992.
Art Since 1940: Strategies of Being, Jonathan Fineberg, Prentice Hall, New Jersey, 1995.
Movements in art since 1945: Issues and Concepts, Edward Lucie-Smith, Thames and Hudson, 1995.
View of the Postmodern Era: Liberate yourself from the Late 1960s to justness Early 1990s, Irving Sandler, HarperCollins Publishers, 1996.
American Visions, Excellence Epic History of Art jacket America, Robert Hughes, Alfred Excellent.
Knopf, Inc., 1997.
Martin Puryear, with essays by Enrique Juncosa and Michael Brenson, Fundacion “la Caixa”, Madrid, 1997.
African-American Theme, Sharon F. Patton, Oxford Formation Press, New York, 1998.
Characteristics of Modern Art, H.H. Arnason, edited by Marla F. Prather, Fourth Edition Harry N. Abrams, New York, 1998.
Criticizing Art: Understanding the Contemporary, Terry Barrett, 2nd Edition, Mayfield PublishingCompany, 2000.
Treasure from the Art College of Chicago, Hudson Hills Look, New York, 2000.
Cane, Dungaree Toomer, a special edition, Decency Arion Press, 2000.
Celebrating Contemporary Art: Highlights of the Writer Collection, San Francisco Museum pageant Modern Art, printed and static by Mondadori printing, Italy, 2000.
Tradition in Contemporary Furniture, End by Rick Mastelli and Crapper Kelsey, The Furniture Society, Cambium Press, Bethel, Connecticut, 2001.
Actress Puryear, Margo A.
Crutchfield, Colony Museum of Fine Arts, Richmond, March 2001.
Whitney, American Visionaries: Selections from the Whitney Museum of American Art, Introduction alongside Maxwell L. Anderson, Harry Stories. Abrams, Inc., New York, 2001.
Gifts in Honor of rank 125th Anniversary of the City Museum of Art, Philadelphia Museum of Art, PA, organized newborn Alice Beamesderfer, produced by Tributary of Publishing, Philadelphia Museum pleasant Art, 2002.
Michael Auping, Fresh Art Museum of Fort Fee 110, III Third Millennium Heralding Limited, London, 2002.
art:21, Find a bed in the Twenty-First Century, Fresh York: Harry N.
Abrams, Inc., 2003.
The Sculptural Idea, Apostle J. Kelly, Fourth Edition, Waveland Press, Inc., Long Grove, Algonquin, 2004.
“Martin Puryear in Review with Michael Auping,” At loftiness Modern, Modern Art Museum cue Fort Worth, Calendar, Spring 2004.
Sculpture from the Sheldon Monument Art Gallery, edited by Karenic O. Janovy, University of Nebraska Press, 2005.
Against the Grain: Contemporary Art from the Prince R.
Broida Collection, The Museum of Modern Art, New Royalty, 2006.
Martin Puryear, with essays by John Elderfield, Michael Auping, and Elizabeth Reede, The Museum of Modern Art, New Royalty, 2007.
Kellie Jones, Eye Minded: Living and Writing Contemporary Allocate, Duke University Press, Durham mushroom London, 2011.
TEACHING POSITIONS
1964-66 Secondary school educator of English, French, Biology vital Art, Sierra Leone
1969-71 Assistant rotation Instruction, Yale University, New Seaport, CT
1971-73 Assistant Professor, Department discount Art, Fisk University, Nashville, TN
1973-77 Assistant Professor, University of Colony, College Park, MD
1978-87 Professor, Turn of Art, University of Algonquian, Circle Campus, Chicago
REVIEWS AND ARTICLES
David Bourdon, “Martin Puryear at Henri 2,” Art in America, January–February, 1974.
Paul Richard, “A Place of worship of Cedar and Hide,” Justness Washington Post, July 10, 1977.
Eileen Tahlenberg, “Site Work: Humdrum Sculpture at Art Park,” Artscanada, October–November 1977.
Nancy Tobin, “Bordering on the Surreal,” ARTnews, Nov 1977.
Benjamin Forgey, “Draftsmanship presentday Woodsmanship,” ARTnews, January 1978.
Painter Tannous, “Martin Puryear at interpretation Corcoran,” Art in America, May–June 1978.
David Tannous, “Those Who Stay,” Art in America, July 1978.
Martha McWilliams Wright, “Washington Letter,” Art International, October 1978.
Mary Swift and Clarissa Wittenberg, “An Interview with Martin Puryear,” The Washington Review of magnanimity Arts, October– November 1978.
William Zimmer, “Art for the Work away at Decade,” The SoHo Weekly Word, March 1, 1979.
Grace Glueck, “Artists of the Customs House,” The New York Times, Possibly will 4, 1979.
Wade Saunders, “Art Inc.: The Whitney’s 1979 Biennale,” Art in America, May–June 1979.
John Ashbery, “The Sculptures attack Summer,” New York Magazine, July 23, 1979.
April Kingsley, “The Shapes Arise,” Village Voice, July 30, 1979.
Judd Tully, “On Custom and Culture,” Skyline, Summertime 1979.
Jonathon Crary, “Martin Puryear’s Sculpture,” ARTFORUM, October 1979.
Patriarch Forgey, “Puryear’s Circles: Subtle, Cheerless Presence,” The Washington Star, Dec 7, 1979.
Alan Artner, “Martin Puryear, Museum of Contemporary Art,” Chicago Tribune, February 22, 1980.
JoAnn Lewis, “Washington D.C.,” ARTnews, March 1980.
Carrie Rickey, “Singular Work, Double Bind, Triple Threat,” Village Voice, March 3, 1980.
John Russell, “Abstractions from Afro-America,” The New York Times, Walk 14,1980.
Franz Schulze, “Puryear Works: Elegant Simplicity,” Chicago Sun Epoch, May 18, 1980.
Buzz Spector, “Martin Puryear,” New Art Investigator, April 1980.
Roger Catlin, “Joslyn Opens Small Show,” Sunday Universe Herald Magazine (Omaha), August 24, 1980.
Franz Schulze, “115 Inhabitant Artists Expected at Whitney,” City Sun Times, March 8, 1981.
Judd Tully, “Chicago Art Scene,” Flash Art, Summer 1981.
Levi Kangas, “Martin Puryear, and/or Heading, Seattle,” Vanguard, September 1981.
Archangel Bonesteel, “Summer Solstice for Metropolis Art,” New Art Examiner, Oct 1981.
Heidi Weiss, “City Sculpture,” New Art Examiner, October 1981.
Jeffrey Edelstein and Lynne Tunnel, “Artworld Chicago, 1981,” Images abide Issues, Winter 1981–1982.
Benjamin Forgey, “Craft Comes Full Circle softsoap Art,” The Washington Post, Feb 25, 1982.
Lee Fleming, “Martin Puryear, McIntosh/Drysdale Gallery,” The Pedagogue Review, April–May 1982.
Ed Colker, “Present Concerns in Studio Teaching: Artists Statements,” Art Journal, Arise 1982.
April Kingsley, “Art Fall-back and the Leisure Landscape,” Occupy Express, May–June 1982.
“Public Art,” Art Express, May–June 1982.
Ease Glueck, “Serving the Environment,” Loftiness New York Times, June 27, 1982.
Franz Schulze, “It’s Consummate in a Matter of Path with New MCA Gift Wrapping,” Chicago Sun Times, June 27, 1982.
Christopher Knight, “Afro-American Abstraction: More Abstract than African,” Los Angeles Herald Examiner, July 14, 1982.
John Ashbery, “Visions wear out the Olympics,” Newsweek, January 24, 1983.
Henry Hanson, “Puryear’s Poster,” Chicago Magazine, July 1983.
Suzanne Muchnic, “Olympic Posters: A Be on holiday of Creativity,” Los Angeles Generation, July 24, 1983.
Laura Holland, “Martin Puryear: Sculpture, Berkshire Museum, Pittsfield,” New Art Examiner, Could 1984.
E.R.
Shipp, “Art carry out Those On the Go keep in check Chicago,” The New York Period, June 16, 1984.
Christine Temin, “Puryear’s ‘Primitive Sophistication’,” The Beantown Globe, July 7, 1984.
Kenneth Baker, “Journal of the Puryear,” The Boston Phoenix, July 10, 1984.
Michael Brenson, “Sculpture: Puryear Postminimalism,” The New York Ancient, August 10, 1984.
Dore Choreographer, “Pandemonium of MOMA,” Arts Journal, September 1984.
Roberta Smith, “Around Town,” Village Voice, September 4, 1984.
Roberta Smith, “A Primordial Look at the Modern,” Commune Voice, October 2, 1984.
Isabelle Wasserman, “Puryear Sculpture Exhibit Decision Open,” The San Diego Entity, October 7, 1984.
Randy Opincar, “The Puryear Exhibition,” Reader (San Diego) vol.
13, no.40, 1984.
Mark Arner, “Curiosity Bout Fabrication Things Spurs Artist,” The Cutting edge Tribune, October 18, 1984.
Lynette Thwaites, “Art Reveals the Craftsmanship of Nature,” La Jolla Make something happen, October 18, 1984.
Jeff Player, “Puryear’s Sculpture Casts a Spell,” Los Angeles Times, October 29, 1984.
Alan Artner, “New York’s ‘Primitive’ Show a Modern Masterpiece,” Chicago Tribune, November 4, 1984.
David Lewinson, “Two Artists Vividly Combined: Painter, Sculptor Show On top form Together,” The San Deigo Union,
November 4, 1984.
Robert Physiologist, “A Transformer of Minimalism,” Los Angeles Times, November 5, 1984.
Marla Hellman, “LMJCA & Puryear: What a Combination,” The UCSD Guardian, vol.
53, no.16. Nov 8, 1984.
Michael Brenson, “Sculptors Find New Ways to Pointless with Wood,” The New Royalty Times, December 2, 1984.
Jeanne Silverthorne, “Martin Puryear,” ARTFORUM, Dec 1984.
Suzanne Muchnic, “The Nonmaterialistic Shapes of Familiar Mysteries,” Los Angeles Times, January 15, 1985.
S.
Luecking, “Monumental Sculpture: Striking the Language of Wood,” Skilled Woodworking, January–February 1985.
Cynthia Nadelman, “Broken Premises:…,” ARTnews, February 1985.
Michael Brenson, “Art: The Individual Form in Work of 12 Sculptors,” The New York Present, February 1, 1985.
Neal Menzies, “Unembellished Strength of Form,” ArtWeek, February 2, 1985.
Guy Trebay, “Museum Pieces,” Village Voice, Feb 1985.
JoAnn Lewis, “Galleries: Vacant Talent,” The Washington Post, Step 9, 1985.
Kenneth Baker, “The Language of the Eye,” Honourableness Boston Phoenix, April 2, 1985.
Mario Naves, “Martin Puryear,” Position New Criterion, May 1995.
Heroine Russi Kirshner, “Martin Puryear, Margo Leavin Gallery,” ARTFORUM, Summer 1985.
Charles Shere, “Absorbing Schools match Thought Exhibited at Berkeley,” Port Tribune, August 12,1985.
Sue President, “Poetic Resonance Marks Puryear’s Newborn Sculpture,” Chicago Sun Times, Oct 23, 1985.
Alan Artner, “Perfection is Hallmark of Puryear Sculpture,” Chicago Tribune, October 25, 1985.
Michael Brenson, “How Sculpture Take Itself from the Past,” Ethics New York Times, December 15, 1985.
Charlotte Moser, “Martin Puryear at Donald Young,” ARTnews, Jan 1986.
“Sculpture on Loan,” Traveller Art Center Newsletter, January 1986.
Vivien Raynor, “After Nature,” Integrity New York Times, February 21, 1986.
Robert Taylor, “Sculpture Event a Pioneering Effort,” The Beantown Globe, May 18, 1986.
King Bonetti, “Back to Natural: Bust Takes on the World,” Beantown Phoenix, June 3, 1986.
Account Berkson, “Seattle Sites,” Art hoax America, July 1986.
Michael Brenson, “Sculpture Breaks the Mold on the way out Minimalism,” The New York Multiplication, November 23, 1986.
Steven Rhetorician Madoff, “Sculpture Unbound,” ARTnews, Nov 1986.
Alice Thorson, “Separate on the other hand More than Equal,” Washington Epoch, January 29, 1987.
Robert Motto.
Morgan, “American Sculpture and class Search for a Referent,” Veranda Magazine, November 1987.
Alan Artner, “A Sculptor’s Two Sides,” Port Tribune, February 1, 1987.
Cindy Kirshman, “Earthworks Art Sways go one better than its Dimension,” Chicago Tribune, Apr 3, 1987.
Donald Miller, “Related Shows Center on Subway Art,” Pittsburgh Post Courier, April 18, 1987.
Ann Lee Morgan, “Martin Puryear: Sculpture as Elemental Expression,” New Art Examiner, May 1987.
Colin Westerbeck, “Martin Puryear: Port Public Library Cultural Council,” ARTFORUM, May 1987.
Victoria Lautman, “Martin Puryear: Chicago Public Library Folk Center,” Sculpture, July–August 1987.
Richard Huntington, “Albright-Knox Turns Good Answer into Fine Show,” The Dismay News, August 2, 1987.
Archangel Brenson, “A Selective Guide: Art,” The New York Times, Honoured 30, 1987.
Alan Artner, “Massive Work a Visual Odyssey,” City Tribune, September 17,1987.
Robert Apophthegm.
Morgan, “American Sculpture and grandeur Search for the Reverent,” Terrace, November 1987.
Barry Schwabsky, “The Obscure Objects of Martin Puryear,” Arts, November 1987.
Michael Brenson, “Maverick Sculptor Makes Good,” Pristine York Times Magazine, November 1, 1987.
Michael Brenson, “Shaping rank Dialogue of Mind and Matter,” New York Times, November 22, 1987.
“Martin Puyear: David McKee Gallery,” Black Arts Annual, 1987-88.
Carole Gold Calo, “Martin Puryear Private Objects, Evocative Visions,” Terrace, February 1988.
Carole Gold Calo, “Martin Puryear: David McKee Gallery,” New Art Examiner, February 1988.
Michael Brenson, “Works for Urbanised College Raise Hard Questions,” Decency New York Times, April 8, 1988.
Mary Abbe Martin, “Splendor in the Grass,” ARTnews, Oct 1988.
Barbara Swift and Bleed Wilkinson, “Art: The NOAA Program,” Landscape Architecture, September–October, 1988.
Archangel Brenson, “Sculptural Interiors,” The Newborn York Times, November 18, 1988.
Michael Brenson, “A Sculptor contact Represent U.S.
at Sao Paulo Biennale,” The New York Historical, November 22, 1988.
Vivien Raynor, “Photos and Sculpture at decency Aldrich,” The New York Era, November 27, 1988.
Michael Kimmelman, “Martin Puryear,” The New Royalty Times, December 2, 1988.
Miriam Horn, “New Cultural Worlds,” U.S. News and World Report, Dec 26, 1988.
Sue Taylor, “Report from Minneapolis,” Art in U.s.a., December 1988.
“Black Sculptor be Represent United States in Brazil,” Black Arts New York, Dec 1988.
Walter Robinson and Cathy Lebowitz, “Art-World: Puryear Chosen tend São Paulo,” Art in Earth, January 1989.
Michael Brenson, “Introducing Swiss Sculptors to U.S.
increase in intensity Vice Versa,” The New Royalty Times, January 27,1989.
Edmar Pereira, “Puryear: Alta Arte e Artesanto, na Mesma Forma,” Jornal snifter Tarde, February 8, 1989.
Helio Belik, “Representante dos EUA innocent Bienal chega sabado para estudar espaco,” Folha de São Paulo,
February 19, 1989.
Patricia Defect, “Black Artists Today, A travel case of Exclusion,” ARTnews, March 1989.
Paul Krainak, “Contra primitivism tube Martin Puryear,” Art Papers, March–April, 1989.
Dwight V.
Gast, “Martin Puryear-Sculpture As An Act use up Faith,” Journal of Art, September–October 1989.
Daniel Benevides, “Construcoes become less restless Puryear, filtradas em musseline,” Jornal da Tarde, October 12, 1989.
Angela Pimenta and Norma Freire, “A dimensao lirica no cotidiano de Puryear,” Quinta-Feira, October 12, 1989.
Denise Lima, ” Torre de Babel artistica,” Segundo Caderno, October 13, 1989.
“Bienal abre hoje sob tensau,” Folha Consign São Paulo, October 14, 1989.
Michael Brenson, “Doors of Blow apart Opening (Ignore the Squeaks),” Goodness New York Times, October 16, 1989.
Michael Brenson, “A Sculptor’s Struggle to Fuse Culture don Art,” The New York Generation, October 29, 1989.
Nancy Pricenthal, “Intuition’s Disciplinarian,” Art in U.s., January 1990.
Marc Berkowitz, “São Paulo Biennale: No Hidden Corners,” ARTnews, February 1990.
Holland Fixing, “Black Artists: Three Shows,” Piece in America, March 1990.
Marcia Tanner, “Vistas Into Shared Terrain,” ArtWeek, Vol.
21 No. 9, March 8, 1990.
Dorothy Burkhart, “Critic’s Choice,” San Jose Nuncio News, February 4, 1990.
Kenneth Baker, “Prime Displays of Anti-Minimalist Art on Peninsula,” San Francisco Chronicle, March 21,1990.
Edward Leffingwell, “Report from Brazil: Tropical Bazaar,” Art in America, June 1990.
Patricia C.
Phillips, “Martin Puryear: Museum of Fine Arts,” ARTFORUM, 1990.
George Melrod, “Martin Puryear: The Art of the Decoy,” Sculpture, September–October, 1991.
Alan Woolly. Artner, “On form and function,” Chicago Tribune, November 3, 1991.
Peter Plagens, “Sculpture Like in peace Oughta Be,” Newsweek, November 1991.
Judith Russi Kirshner, “Martin Puryear in the American Grain,” ARTFORUM, December 1991.
George Melrod, “Martin Puryear,” Atelier, December 1991.
Fred Camper, Reader (Chicago), December 6, 1991.
Paul Richard, “He Sawed & Conquered,” The Washington Take care, February 5, 1992.
Paul Richard, “Martin Puryear, A Master fasten Wood,” International Herald Tribune, Feb 15–16, 1992.
Robert Hughes, “Delight in a Shaping Hand,” Day, March 2, 1992.
Michael Kimmelman, “The Softly Spoken Message in shape Martin Puryear,” The New Dynasty Times, March 1, 1992.
Painter M.
Thompson, Arts, February 1992.
Garrett Holg, ARTnews, February 1992.
Thomas Frick, “Martin Puryear,” Grandeur MOCA Contemporary, June–July 1992.
Rasaad Jamie, “Making it in grandeur American Grain,” Times Literary Addition (London), September 1992.
Kenneth Baker, “Martin Puryear, Sympathy and Familiar Ground,” Artspace, July–August 1992.
Christopher Knight, “Puryear: A Paean identify Craftsmen,” Los Angeles Times, July 30, 1992.
Suzanne Muchnic, “The Handyman,” Los Angeles Times, Lordly 2, 1992.
Ralph Rugoff, “See Me, Feel Me: Living bank a Tactile World,” LA Hebdomadal, August 21–27, 1992.
A.M.
Covering, “Martin Puryear-Hirshhorn Museum,” ARTFORUM, Sep 1992.
Michael Zakian, “Culture Clash: Martin Puryear at MOCA,” Artweek, October 8, 1992.
George Melrod, “Searching for a Center,” ARTnews, October 1993.
Elanor Heartney, “Berlin Summer,” Art in America, Oct 1993.
Arthur C.
Danto, “Martin Puryear,” The Nation, January 4–11, 1993.
John Russell, ” English Art Through European Eyes,” Description New York Times, May 30, 1993.
Helen Cullinan, “Getting persist at Know an Award Winning Carver, Martin Puryear,” The Plain Underground (Cleveland), December 26, 1993.
Archangel Kimmelman, “Martin Puryear,” The Newborn York Times, March 10, 1995.
Stuart Klawans, New York Common News, March 25, 1995.
Martyr Melrod, “Skill, Vision, and Craft,” Art & Antiques, June 1995.
Mario Naves, “Martin Puryear take up the David McKee Gallery, Original York,” The New Criterion, Possibly will 1995.
Carol Wood, Review, Fresh Art Examiner, May 1995.
Archangel Brenson, “Memory of the Hand,” Sculpture, May–June 1995.
Thomas Padon, Sculpture, May–June 1995.
Heidi Landecker, “Waterfront Connection,” Architecture, August 1995.
Jonathan Goodman, “Martin Puryear,” ARTnews, September 1995.
George Melrod, “Martin Puryear,” World Art, 1995.
Trick Ash, “Martin Puryear,” ARTFORUM, Oct 1995.
Pepe Karmel, “The Material of Dreams And the Ingenuous World,” The New York Stage, January 5, 1996.
“Martin Puryear,” International Review of African Denizen Art, 1996.
Michael Kimmelman, “Abstraction, Without the Mess,” The In mint condition York Times, February 11, 1996.
Robert Hughes, “American Visions,” Disgust, Spring 1997.
Natividad Pulido, “Martin Puryear: ‘Me encantaria estar representado en un museo espanol’,” ABC, November 14, 1997.
F.
Samaniego, “Martin Puryear expone 30 esculturas de “formas abiertas,” El País, November 14, 1997.
Francisco Chacon, “La escultura de Martin Puryear llega a Espana,” El Mundo, November 14, 1997.
Maria Luisa Blanco, “Madrid presenta la primera retrospectiva en Europa del escultor Martin Puryear,” La Vanguardia, Nov 14, 1997.
Foundacion La Caixa, “La Escultura con Sentido,” Fling País, November 15, 1997.
Mariano Navarro, “El Impacto Visual common Martin Puryear,” ABC, November 21, 1997.
Sergio Gavilán, “Creatividad,” Low-grade, December 1997.
Nuria G.
Noceda, “Martin Puryear, el artista monumental,” Tribuna de Actualidad, December 12, 1997.
Robert Storr, “Las Proporciones de la Mano,” Artey Parte, December 12, 1997.
“Puryear Curtilage for New School,” Art pen America, February 1998.
Penelope Rowlands, “Living with Art: Steven playing field Nancy Oliver,” ARTnews, March 1998.
Andrea Truppin, “Wheelchair Ramp Drives Renovation of New School Courtyard,” Architectural Record, April 1998.
Massimo Carboni, “Nunzio/Martin Puryear,” ARTFORUM, Apr 1998.
Carol Vogel, “Selective Expenditure at Contemporary-Art Auction,” The Fresh York Times, November 18, 1998.
Jan Garden Castro, “Martin Puryear: The Call of History,” Statuette, December 1998.
Barry Schwabsky, “Surrounded by Sculpture,” Art in Land, January 1999.
“Drawing into Chisel Martin Puryear”, The Contemporary Study Center, June 19 – Revered 29, 1999.
“Recent Accessions,” Stilbesterol Moines Art Center, July/August 1999.
Susan Hagen, “Growth Rings stall Heartwood,” Woodwork, August 1999.
Sightly Clearwater, “Martin Puryear,” Centro Broadening Arte Contemporaneo, A.C
Janet Koplos, “Sculpture’s Surfaces, East and Westernmost, Condiderations on Form and Materials,” Surface Design, Fall 1999.
Geneviève Breerette, “Dans l’espace intérieur cover Martin Puryear,” Le Monde Addition, September 1999.
“Salpêtrière: Martin Puryear,” Connaissance des arts, September 1999.
“Sculpture,” Nova Magazine, September 1999.
Michel Nuridsany, “Martin Puryear: socket séduction de la spiritualité,” Inefficient Figaro, September 28, 1999.
Thespian Cena, “L’envol de l’escalier,” Télérama, September 29, 1999.
“Martin Puryear Sculpture: dans le cadre fall to bits festival d’automne a Paris,” Figaroscope, September 29, 1999.
“La Salpêtrière selon Puryear,” L’Oeil, October 1999.
Catherine Francblin, “Martin Puryear Globe-Sculpteur,” Beaux-Arts Magazine, October 1999.
“Martin Puryear, “This Mortal Coil,” Town Voice, October 1999.
“Salpêtrière: Comedian Puryear,” Connaissance des arts, Oct 1999.
“Martin Puryear: La grâce,” Figaroscope, October 6–12, 1999.
Laurent Wolf, “Un escalier pour monter jusqu’au ciel,” Le Samedi National, October 23, 1999.
“Martin Puryear,” Libération, October 27, 1999.
“Martin Puryear,” L’Express, Le Magazine, Oct 28, 1999.
Lawrence Van Gelder, “Heavy Metal,” The New Dynasty Times, November 22, 1999.
Christopher Knight, “Monumental Greeting,” Los Angeles Times, November 26, 1999.
Pa Rossignol, “Martin Puryear,” Art Corporation, December 1999.
Hunter Drohojowska-Philp, “Building a Vision From the Prominence Up,” Los Angeles Times, Dec 5, 1999.
Sharon Waxman, “Getty, on the Grow,” The General Post, December 12, 1999.
Archangel Duncan, “New Puryear for representation Getty,” Art in America, Jan 2000.
Paulo Herkenoff, “Making Choices,” Brochure © The Museum summarize Modern Art, 2000.
Judith Spin.
Dobryznski, “An Artists’ Retreat like Reaches Out: Yaddo Celebrates initiative Anniversary by Shedding a Dominion of Its Mistery,” The New-found York Times, May 15, 2000.
Kenneth Baker, “SFMOMA and high-mindedness Palace of the Legion go along with Honor show off the sidereal Anderson collection,” San Francisco Novel, October 5, 2000.
Marcia Hook up.
Vetrocq, “Italy: New and Improved,” Art in America, January 2001.
“Jean Toomer & Martin Puryear,” Art on Paper, Working Indication, January–February 2001.
Roy Proctor, “Elements of art: Basic materials expire masterful abstract statements,” Richmond Times-Dispatch, March 4, 2001.
Paul Richard, “The Sculptor’s Swell Curves,” Probity Washington Post, March 11, 2001.
Deborah McLeod, “Good Wood,” Combination Magazine, March 27, 2001.
Katie Clifford, “Martin Puryear: Virginia Museum of Fine Arts,” ARTnews, June 2001.
Robert Hughes, “America’s Conquer Artist: Martin Puryear,” Time, July 9, 2001.
Kenneth Baker, “Pure Puryear, Sculptor’s Berkeley survey pump up an art highlight,” Fall Subject Preview, San Francisco Chronicle, Venerable 26, 2001.
Ken Coupland, “Critic’s Choice,” The East Bay Serial, September 2001.
Elizabeth Sivesind, “Plenty of exhibits despite closings,” Counter Costa Times, September 2, 2001.
Jack Fischer, “Bay Area Artists Get Exhibits,” The Mercury Word (San Jose), September 2, 2001.
Will Shank, “Crowd-pleasers and Subtler Pleasures,” Bay Area Reporter, Sept 6, 2001.
Arthur Lazere, “Martin Puryear: Sculpture of the 1990s,” www.culturevulture.net, September 12, 2001.
Kenneth Baker, “Museum Reopens with on the rocks Tall Order,” San Francisco Account, September 15, 2001.
Kenneth Baker, “Critic’s Pick,” San Francisco Description, September 28, 2001.
Sen Onishi, “Art’s Minimal(ist) Revolution,” The Routine Californian, Friday, September 28, 2001.
Victoria Dalkey, “Exquisite enigmas, brill craftsmanship in Puryear sculptures,” Rank Sacramento Bee, September 30, 2001.
Constance Lewallen, “Martin Puryear Statuette of the 1990s,” Look, Blue blood the gentry Quarterly Magazine of the Practice of California Berkeley Art Museum and Pacific Film Archive, Cataract 2001.
Lynda McDaniel, “Naturally Inclined,” American Style, Fall 2001.
Disagreeable Ryan, “Reviews: Richmond,” Art Registers Magazine, September–October 2001.
“On Exhibit,” Woodworker West, September–October 2001.
Diddly Fischer, “The World’s Finest Progress Sculptor?” The Mercury News (San Jose), October 7, 2001.
Moneyman Kahn, “Made in the USA,” East Bay Express, October 10–16, 2001.
“Martin Puryear: Sculpture make famous the 1990s,” Gallery Guide, Oct 2001.
Carol Benet, “The UC Berkeley campus offers three fair to middling shows,” The Ark, November 28, 2001.
Lilly Wei, “Brunhilde Undress Bare,” ARTnews, December 2001.
King Littlejohn, “The Gallery: A Outlive of Two Artist,” The Go bust Street Journal, December 3, 2001.
Jerome Tarshis, “Puryear mixes theoretical with familiar,” Christian Science Keep an eye on, December 10, 2001.
Janet Koplos, “Martin Puryear’s ‘Ars Poetica’,” Break up in America, December 2001.
King Bonetti, “Puryear sculpture impressed critics,” San Francisco Chronicle, December 30, 2001.
Kenneth Baker, “The peak 10 art events of 2001,” San Francisco Chronicle, December 30, 2001.
Jack Fischer, “2001’s chief art events were front-loaded,” High-mindedness Mercury News (San Jose), Dec 30, 2001.
“Martin Puryear, Sculp of the 1990s,” Look, Say publicly Quarterly Magazine of the Home of California Berkeley Art Museum and Pacific Film Archive, Frost 2001–2002.
“Martin Puryear/Sculpture of integrity 1990s,” NY ARTS, January 2002.
Adrian Dannatt, “Martin Puryear: latest sculpture, McKee Gallery,” The Walk off Newspaper, May 2002.
“Martin Puryear,” The New Yorker, Galleries-Uptown, Might 13, 2002.
Mario Naves, “Newly Contrarian Puryear: His Best Realm in the Craw,” New Dynasty Observer, May 20, 2002.
Block out Johnson, “Martin Puryear,” The Original York Times, May 24, 2002.
Ken Johnson, “Martin Puryear,” Justness New York Times, May 31, 2002.
“New to the Collection,” Look, The Quarterly Magazine recall the University of California, Bishop Art Museum and Pacific Integument Archive, Summer 2002.
Terry Teachout, “Thoroughly Modern Masterworks From Diebenkorn, Puryear and .
. . Ovid? You Bet,” The President Post, June 2, 2002.
Steven Litt, “Great Catches Museum adds major sculpture, painting,” The Conduct Dealer (Cleveland), June 5, 2002.
Lilly Wei, “Martin Puryear,” ARTnews, Summer 2002.
Donald Kuspit, “Martin Puryear, McKee Gallery,” ARTFORUM, Oct 2002.
“AICA Awards for Hold down Shows,” Art in America, Apr 2003.
2003 Calendar, JPMorgan Stay on Art Collection calendar to dedicate the Studio Museum in Harlem, March 2003.
Benjamin Genocchio, “ART REVIEW; An Ethereal World, Explored Breath by Breath,” The Pristine York Times,
September 21, 2003.
“13 Who Will Do position Choosing: Jurors for the Marker Competition,” The New York Times of yore, November 19, 2003.
Laura Richard Janku, “Martin Puryear,” Art heave Paper, May–June 2005.
Claire Shark casanova Krantz, “Martin Puryear,” Flash Set off, March–April 2006.
Margaret Hawkins, “Martin Puryear,” Art News, April 2006.
“The New Season Art,” Description New York Times, September 9, 2007.
David Levi Strauss, “Martin Puryear in conversation with King Levi Strauss,” The Brooklyn Footrail, November 2007.
Roberta Smith, “Humanity’s Ascent, In Three Dimensions,” Rendering New York Times, November 2, 2007.
“Martin Puryear,” New Dynasty, November 5, 2007.
“Museum enjoy yourself Modern Art: Martin Puryear,” Little List, The New Yorker, Nov 12, 2007.
Richard Lacayo, “The Man of Mysteries: Martin Puryear,” Time, November 12, 2007.
Prick Schjeldahl, “Seeing Things,” The Virgin Yorker, November 12, 2007.
“Museum of Modern Art: Martin Puryear,” Short List, The New Yorker, November 19, 2007.
Eric Actor, “The Meticulous and the Magical,” The Wall Street Journal, Dec 20, 2007.
Arthur C.
Danto, “Tilted Ash,” The Nation, Dec 31, 2007.
Kim Levin, “Martin Puryear,” ARTnews, Reviews, January 2008.
Karen Wilkin, “Martin Puryear mistakenness MOMA,” The New Criterion, Jan 2008.
Jan Garden Castro, “Martin Puryear: Spirit, Personhood, and History,” Sculpture, January/February 2008.
Nancy Princenthal, “Puryear’s Tall Tales,” Art epoxy resin America, February 2008.
Richard Lacayo, “50 Top 10 Lists delineate 2007: Top 10 Museum Exhibits,” TIME, [Web page]; http://www.time.com/time/specials/2007/top10/article/0,30583,1686204_1686244_1691916,00.html,
[Accessed: 2 January 2008]
Matt Keegan, Review “Martin Puryear: Museum selected Modern Art,” Modern Painters, Feb 2008.
Suzanne Hudson, Review, “Martin Puryear: Museum of Modern Involvement, New York, and Modern Role Museum of Fort Worth,” ARTFORUM, May 2008.
Didier Ottinger, “The Chimeras of Martin Puryear,” artpress, May 2008.
Kenneth Baker, “Sculpture in Right Direction,” San Francisco Chronicle, November 8, 2008.
Kenneth Baker, “Puryear Opens Up: Enquire with Martin Puryear” San Francisco Chronicle, November 2, 2008.
Kellie Jones, EyeMinded: Living and Terminology Contemporary Art, Duke Univeristy Cogency, Durham, NC, 2011.
Salvatore Scarpitta.
Essay by Anne-Marie Russell. Marianne Boesky Gallery, exhibition catalogue. Newborn York: Silvana Editoriale, 2011.
“Martin Puryear,” The New Yorker, Goings on About Town: Art, June 4 & 11, 2012.
Melissa Stern, “Everything Moves,” CityArts, Hawthorn 26, 2012.
Phong Bui, “ArtSeen: MARTIN PURYEAR New Sculpture,” Excellence Brooklyn Rail, June 2012.
Hannah Feldman, “This Will Have Been: Art, Love & Politics perform the 1980s,” ARTFORUM, Summer 2012.
Ken Johnson, “Martin Puryear,” Dignity New York Times, June 8, 2012.
David Levi Strauss, “Some Shorter Lines For Martin Puryear,” The Brooklyn Rail, September 2012.
David Frankel, “Martin Puryear,” Artforum, October 2012.
David Ebony, “Martin Puryear,” Art in America, Oct 2012.